Friday, May 30, 2008

ROOTZ UNDERGROUND ALBUM LAUNCH REVIEWS

Jamaica Observer

An 'Underground' Movement

DEBRA EDWARDS, Monday, May 19, 2008

With a skank and demeanor similar to that of Reggae Icon Bob Marley, it's evident Rootz Underground front man Stephen Newland, with the help of his band, has major plans to secure a spot in the history of the reggae Movement.

Last Saturday fans turned up at the Hope Gardens Bandshell for the much anticipated release of Rootz' debut album, Movement, and were treated to a thrilling reggae composed ride.

Taking centre stage, to the harmony of Time Is An Illusion, Newland greeted his audience and then simultaneously broke into song. Swinging his shoulder length locks, devoid of inhibition, Newland's voice echoed throughout the venue, while his fellow band members rocked - playing their instruments - visually into the vibe.

By the time the band launched into songs such as Hammer and Victims of the System they had the ample crowd mystified by their aura, with some singing their tunes word for word.

"This band is good, and I suspect their following is just going to continue to grow," said visiting Caymanian resident April General. The band's strong stage presence continued with a stirring rendition of Fade Away.

"Is everybody feeling good?" Newland asked before commencing Slumberland, after which it was announced that, as previously advertised, Wayne Armond of Chalice and Dean Fraser would no longer be performing due to previous engagements. But even with the announcement of Armond and Fraser's absence, the crowd was not perturbed and seemed to be more interested in hearing more from Rootz Underground.

With a cover of Bob Marley and the Wailers' Midnight Train, Newland removed his long sleeved jeans shirt to reveal a black merino and really got the crowd moving with In the Jungle.

Abruptly finishing their set and exiting the stage, the Rootz Underground mesmerized audience demanded more, chanting, "We want more Rootz Underground," until the band came back and continued to fill their fans' reggae fix with a few more songs.

"Thank you so much for coming to this album launch," expressed Newland just before for the last time existing the stage. "Dem boy yah a di real deal, and I feel like I just watched the early stages of something that is going to be big in the future," declared a patron while existing the venue, "Something big!"

http://www.jamaicaobserver.com/lifestyle/html/20080518T210000-0500_135759_OBS_AN__UNDERGROUND__MOVEMENT.asp


Jamaica Gleaner

'Concert-ed' effort at Rootz Underground launch
Mel Cooke, Monday | May 19, 2008

IT WAS obvious that a concerted effort was put into Saturday night's launch of Rootz Underground band's debut album, Movement.

Not only were the sponsor's buntings prominently displayed on the fences near the entrance to the Shell Bandstand, Hope Gardens, but there was a sense of good organisation from coordinated parking on the outside to free ital soup on the mound in the natural amphitheatre inside.

It was a concerted effort for a concert-style launch, which attracted a fair-size audience, clips of the band doing interviews in the recording studio, their music videos and on tour in the United States shown on huge screen at the back of the stage before they performed.

Revisiting the journey

During that near one-and-a-half hour performance, the band's lead singer, Stephen Newland, thanked those present for coming along with the band on an eight-year journey. Judging by the size and enthusiasm of the audience, there are many who have been on the trek. And before they delivered songs from the 19-track album, including Time Is An Illusion, Herb Fields, Victims Of The System, In The Jungle, Special Place and Corners Of My Mind, as well as a cover of Marley's Midnight Ravers, the video presentation covered points on that journey.

The band's members are Newland, Charles Lazarus (lead guitar), Colin Young (bass), Jeffrey Moss-Solomon (rhythm guitar/ vocals), Leon Alexander Campbell Jr (drums) and Paul 'SCUBI' Smith (keyboards/organs/vocals).

So the music videos of Victims of the System and Hammer were shown, two members describing Rootz Underground as "the expression of the sum of all our expressions" and "the coming together of a group of friends musically".

A musical movement

Wayne Armond, who produced Movement, said, "When I met Rootz Underground, I thought they were a cool set of youths. I did not take them seriously until I heard their songs. When you hear Rootz's songs, you can't help take them seriously."

And, in examining the significance of Movement as the album's name (there is no track by that name on the set), one band member called it a "musical movement", among other things, adding "there are a lot of things in movement".

In the video clip, Armond had said "from you start trod as a group of minstrels you need followers. And Rootz Underground definitely has that", one member saying "our live show is our signature".

And when the music started, it was clear that both statements were correct, the chemistry among the band's members evident and Newland making many a trademark leap, although as time went on, at points, the energy output seemed a bit stilted.

The Solomonic sound system played rockers before and after the Movement launch concert, Claudette Powell introducing the band.

http://www.jamaica-gleaner.com/gleaner/20080519/ent/ent3.html


EXPRESSIONZ

Rootz firm, Movement springing forward

Micheal Edwards, Monday, May 19, 2008

In an earlier generation, The Hope Zoo Bandshell was the place where well-thinking Jamaicans were exposed to a variety of musical expressions, from jazz to reggae to the orchestral strains of the Jamaica Military band. It had lain dormant for many years, and had fallen into disrepair until telecoms provider Digicel too kup the mantle late last year. Still, save for a few company functions, the Bandshell had not hosted a quality live music presentation.

That is, not until Saturday night last when Rootz Underground celebrated the release of their debut studio set, Movement.

"We buss de seal pon de venue" was lead singer Steven "Stevie G" Newland's triumphant declaration a little more than midway through a set that was by turns rollicking and subtly layered. Through over an hour of music with scant breaks, the six-man aggregation confirmed their status as the premier reggae-rockers in the business.

Newland, perhaps even unnoticed by the large crowd that blanketed the hillock in front of the Bandshell, has successfully steered past the easy Bob Marley comparisons that lurked like a quicksand bed in the early going. Despite the familiar high-jumping, locks-shaking antics common to both, Newland brings an quicksilver intensity and one daresay, a welcome unpredictability to his stage presence. Just when you think its old hat, that spark goes off in his eyes and he's found a new way to express the feelings in the band's potent lyrics.

And his bandmates were right up there with him. Colin Young laid down bass lines heavy enough to flatten steel, particularly on "Herb Field" where the group was augmented by the presence of a first-rate horn section. Charles Lazarus on lead guitar showed that the inspiration he gained from watching - and listening to -Cat Coore was not lost on him. Keyboardist Paul Smith showed good vocal skills (not to mention tremendous fitness) on Slumberland, and joined rhythm guitarist Jeffrey Moss-Solomon and Newland in a three-man 'jogging line' as drummer Leon Campbell kept time and more.

Indeed, the big reason why Rootz is worthy of acclaim is that in their hands, reggae once again emerges as a WORLD music, assimilating other styles and sounds, but without compromising the drum-and-bass core. Their shifting tempos and chanted vocal hooks ("The enemy's a robber Babylonian"; "Please don't let my well run dry") restore to the music the revolutionary power that caused it to sweep the globe in the first place.

Part of that international community was represented by Philadelphia-based sound system Solomonic, which kept both new and old jams coming before and after the set
Even before the set, the band members spoke of hte great potential of the venue and of plans for a return visit, alongside other reggae warriors.

CEZAR TAKES JAMAICAN MUSIC TO A NEW FAN BASE

CEZAR TAKES JAMAICAN MUSIC TO A NEW FAN BASE

Fresh new Remix of ‘Keep On’ transforms a positive message into an Electro Reggae club sensation

Wednesday, 12 May, 2008 – Kingston, Jamaica: - It was the dance remix of Bob Marley’s Sun is Shining in 1999 that brought a positive reggae message to the attention of a new age of young club goers and now in 2008 Cezar is doing the same. Under the direction of his new management RHH Music Corp., Cezar’s award winning single Keep On has now been remixed by German house music production duo Peter Spencer and Josh Hill aka Spencer & Hill, transforming Cezar’s pure reggae message into a Reggae Electro remix and new club sensation.

Rodney Hill, CEO of RHH Music Corp. and Cezar’s manager, explains the rationale behind the remix: “This remix opens the door to having a reggae soul artist heard in house clubs throughout the world where at any given time there are thousands of clubbers, creating a new fan base. The sky is now the limit for Cezar."


The remix was commissioned by Ultra Records, a leading independent electronic label based in New York, who bought the licence for the original reggae version in 2007. The original reggae version of Keep On, written by Cezar and produced by David Kennedy, caught the attention of Ultra Records after copping 2nd place at the International Song Writing Competition in May of 2007.


With nearly 15,000 hits on YouTube in just 2 months, the remixed track has been getting incredible attention internationally not just because of the club appeal but also because of the international message. With lyrics like: “You just got to keep on trying, and keep doing the best with the hand that you get. Don’t give up that fight! You can’t stop you can’t weep, can’t keep on crying. Keep doing your best you know life is a test. It’s gonna be alright!” Keep On is an uplifting anthem of perseverance, hope and ‘active optimism’.


Keep On, an ideology for all ages, has now been remixed to attract a new Electro Reggae fan base, taking Jamaican music and its positive message to a new generation of music listeners and club goers. The remixed single has already been receiving heavy club rotation in the US and Europe especially making a sensation in Russia, Hungary and Brazil.


2ND ANNUAL STAGING OF CUREFEST PUT ON HOLD

Based on the overwhelming number of request for Jah Cure to perform in Europe it was felt that the time was right for a major tour on that side of the world and the decision was made to postpone CureFest.

Due to the overwhelming demand for Jah Cure in Europe, the second annual staging of the CureFest Festival slated for this summer has been put on hold. Last year, Danger Promotions in association with Brass Gate and Iyah Cure Promotions presented what was considered to be one of the best shows ever held on the western side of the island. Since the staging of CureFest in October 2007, Jah Cure's career has grown by leaps and bounds and for the last six months Cure has been touring consistently.

Delmar Drummond, CEO Danger Promotions, explains the decision: "The demand for Jah Cure is extremely high right now. So many promoters from all over the world have been requesting him to perform. We decided to venture to Europe to give him more exposure there. Unfortunately the dates of the Europe tour coincide with the dates proposed for CureFest 2008. We are hoping that we still may be able to host CureFest after the Europe tour but we cannot be sure just yet. If not, we will definitely schedule it for next year as we are committed to making CureFest a calendar event in Jamaica. We apologize for all Cure fans who looked forward to CureFest this year."

CureFest 2007 was the 3-day event staged between Friday October 12 and Sunday October 14, and began with Jah Cure's birthday celebration dubbed Reflections at the Starfish Hotel. This was followed by 45 Cure's on Saturday October 13 at Pier 1, Montego Bay where Radio DJ's and sound systems came out

to show their support. The event climaxed with the Longing For concert at the Trelawny Multi-Purpose Stadium on Sunday, October 14 where Jah Cure performed a full set for the 1st time in Jamaica in 8 years. Over 20,000 fans attended the CureFest celebrations over the three days and the promoters and Jah Cure himself are still thankful to all his fans that came out to make the event a success.

Jamaican fans need not be disappointed however, as Jah Cure will perform on Sumfest Reggae Night, Friday July 18 in Montego Bay, Jamaica. Jah Cure's presence as one of the headliners on Sumfest 2008 is further validation of his veritable talent and immense popularity not only locally but internationally as well.

This June Jah Cure will begin his first full European Tour. This will be the biggest tour Jah Cure has done to-date and will take him to all the major cities in Europe including states in Scandinavia. Based on the overwhelming number of request for Jah Cure to perform in Europe it was felt that the time was right for a major tour on that side of the world and the decision was made to postpone CureFest. The promoters of CureFest are assuring fans that when CureFest returns it will be bigger and better than its inaugural staging.

JAH CURE & JNR REID TO SHOOT HOT LONG TIME



The Hot Long Time video will be sizzling with special effects and imagery mimicking the songs lyrics.

Danger Zone continues to blaze a trail, setting new trends and taking dancehall and reggae music to new frontiers. Danger Zone is currently making preparations to shoot the video for Hot Long Time which features Junior Reid and Jah Cure. The Hot Long Time video is the next step for Junior Reid coming off his award for most improved entertainer at the recently held 2008 IRAWMA Awards.

Hot Long Time was produced by Steve “Rock Star” Morales for SoBe Entertainment; Morales is famous for his work on Pop Bottles by Lil Wayne and Birdman and also has production credits on songs by Celine Dion, Christina Aguilera, Enrique Iglesias, Young Jeezy, Fabolous, Big Pun, Fat Joe, and Mario to name a few. Indeed Steve Morales is as good as they come and his production work on the Hot Long Time track is outstanding.

Hot Long Time is new ground for Jah Cure who is most known for his culturally relevant reggae tunes. This is also the first time Jah Cure and Junior Reid are teaming up on a song and based on the final product won’t be the last.

“It’s been years I have wanted to work with Junior Reid and this is a manifestation of what we have been doing since he joined the Danger Zone/ SoBe Entertainment family. I feel very good about the song and I hope the fans will like it as well. We tried something different on this track as there is no limitation to the music and we have always tried to work with different genres to take our music to the world”. – Jah Cure, Danger Zone/SoBe Entertainment Artiste.

The song Hot Long Time features Jah Cure’s signature voice overlayed on a tight Hip Hop beat sprinkled with an essence of reggae. Junior Reid presents himself as a relevant artiste “ahead of the time” bringing fans back to a period when he was king and reinforcing the reason he is in such high demand internationally.

“Working with Jah Cure is a blessing as he is one of the most inspired artistes out there right now. Hot Long Time is a continuation of the work I have been doing with SoBe Entertainment and Danger Zone and there is much more to come”. – Junior Reid, Danger Zone/SoBe Entertainment Artiste.

The video for the song Hot Long Time will be directed by Jay-Will who just completed filming Jah Cure’s last video Flyin High which featured American rapper and Sobe Entertainment CEO Stack$. The Flyin High video was premiered on '420': International Herb Day (April 20, 2008) on WorldStarHipHop.com and broke the record with 50,000 views in 7 hours and 140,000 in 19 hours.

Jay-Will will also soon be filming Green Grass and Journey; both recent singles done by Jah Cure.

“It’s always a pleasure to work with Danger Zone and SoBe Entertainment. The alliance is an ongoing relationship and I am presently working on a SoBe infomercial for Stack$ and some other projects with Jah Cure. The Hot Long Time video will be sizzling with special effects and imagery mimicking the songs lyrics. This is my first video with junior Reid and I feel privileged working with a legend like him and Jah Cure who is a legend in the making”. Jay-Will, Noted Video Director.

The Hot Long Time video will be filmed between May 30 and June 4 throughout Jamaica and its release will be a good launching pad for Jah Cure’s European tour which begins in July.

ROOTZ UNDERGROUND SET TO LAUNCH DEBUT ALBUM


On the 17 of May 2007 reggae history will be created has the best Jamaican band to surface since Morgan Heritage will drop their debut album ‘Movement’. The ‘Movement’ album has received a several good reviews and is already a cult hit in the states.

Movement is a promising beginning from seriously talented band; it boasts a strong, dry sound that recalls the early Mango albums of Steel Pulse”

Broward County New Times:

“The group’s music thumps with rebel bass lines and thought-provoking lyrics, not just of yesteryear, but rather it transcends time, a key ingredient of the sound they’ve been creating in the eight years since the band first formed”

Conscious Choice Magazine:

“While this Kingston, Jamaica-based collective may be termed “reggae rock,” they take the best elements of both to compile what is arguably one of the most impressive debuts of recent times. Over the course of 73 minutes they infuse electric guitars and other jazz-based instruments (saxophones, keys) into the obvious necessity of reggae tradition: the low end. It’s not surprising, however, when your bassist is nicknamed “Babylon Headache.”

Right On! Magazine:

“Retrospective tracks fuse with Introspective singles to form a myriad of diverse sounds and topics that anyone with half a brain can appreciate”....“Rootz Underground’s ‘Movement’ will make reggae aficionados out of the occasional reggae listener”

Jamrock Magazine:

“Kingston’s Rootz Underground album is leading the latest development in the ongoing roots reggae revival-the return of the self sufficient band”

Global Rhythm Review:

“The band delivers a well crafted balance of easy skanking and reverent passion that’s well worth the wait”

Whereitzat Magazine:

“I wanted to run and wake the town and tell the people that Reggae music—real reggae music, the kind that is a throw back to reggae ambassadors such as Tosh, Marley and Burning Spear, lives on in this six-member band”.

Despite the many accolades Rootz Underground remains humble;

“Were are happy that the world accepts and understands our music and is willing to join the Movement”. Charles, Rootz Underground Lead Guitar.

The 19-track album was produced by Wayne Armond, Bobby Digital, Dean Fraser and Rory Gilligan and is being released in internationally by the Riverstone Records label. The Movement Album features some of Rootz Undergrounds best known songs such as the smash hit Victims Of The System, cult favourite Herb Fields, and the hard hitting Hammer. There are also several new treats such as When I Go and Corners Of My Mind to name a few.

On May 17 2008 at Ashanti Oasis Vegetarian Restaurant, Rootz Underground will indeed continue their revolutionary reggae ‘Movement’. The launch will feature a performance by the group themselves as well as several of Jamaica’s best known artistes.

Sunday, May 4, 2008

CE'CILE UPDATE – SUNDAY APRIL 27, 2008

BAD GYAL CE'CILE IS SO FLY

NEW SINGLE

Danger Zone's bad gyal, Ce'Cile has teamed up with renowned producer Scott Storch in collaboration with Beenie Man on the track titled So Fly. The track comes out of the continued relationship with Danger Zone and SoBe Entertainment. Storch, known for his wicked instrumentals and credited with hits such as Lean Back by Fat Joe, Candy Shop and Just a Lil' Bit by 50 Cent as well as Baby Boy by Beyonce and Sean Paul, has also produced for a variety of artists including Dr. Dre, Fat Joe, Nelly, Jadakiss, Christina Aguilera, Nas, Lil Wayne, 50 Cent, Beyoncé, Brooke Hogan, The Game, Chamillionaire, Chris Brown and many more.

"I have known Scott Storch for a while, he is really cool. I did the So Fly song to a hip hop beat at SoBe while he was producing Brook Hogan; Beenie heard the song and loved it and we decided to collaborate on it after which Scott decided it would be more authentic on a dancehall beat which made it even cooler. I think the song will be accepted by regular Ce'Cile fans and will help me to continue making an impact on the international market" – Danger Zone/SoBe Entertainment recording artiste Ce'Cile.

U.S. PROMOTION

With her Bad Gyal album to be released in July, Ce'Cile has been busy between Jamaica and the US and recently appeared on New York's HOT 97, Kay Slay and Pat McKay of Sirius radio and other radio stations in the NY as well as Connecticut's Hot 93.7. She is also excited about the remix of her hit single called Waiting which features Shaggy and will be featured on her upcoming album.

Ce'Cile Journeys to Europe for a one month tour in July to promote her album for that territory, She will return to the US in August, to start promotions for the North American Territory. She has continuously been an international ambassador for Jamaican music and takes this responsibility in stride.

"Jamaican music is truly global and I have ensured that my fans both in the US and Europe are satisfied. This summer I will be doing most if not all the major reggae festivals in Europe". Ce'Cile heads to the Apollo Theatre once again for a performance at the IRAWMA awards in the US where she has been nominated for Best Female Vocalist. for her song Waiting – Ce'Cile.

UPCOMING DATES

4 May 2008 Apollo Theatre, IRAWMA New York, New York

30 May 2008 Club Lido Boston, Massachusetts

31 May 2008 Water street Music Hall New York, New York

14 Jun 2008 Jamrock Reggae Fest Hammerstein Ballroom NY, New York

4 Jul 2008 Summer Jam Cologne Germany

7 Jul 2008 Rototom Sunsplash Udine, Italy

12 Jul 2008 Splash Festival Leipzig, Germany

13 Jul 2008 Frauenfeld Open Air Frauenfeld, Switzerland

FOR MORE INFORMATION AND ADDITIONAL DATES VISIT:

www.myspace.com/cecile
www.dangerzonemusicgroup.com

www.cecileflava.com

JAH CURE AND STACK$ FLY HIGH ON 420


JAH CURE AND STACK$ FLY HIGH ON 420

....Jah Cure seeks to expose Stack$ to the finer herbs of Jamaica

Sunday, 20 April – Kingston, Jamaica: Jah Cure and Hip-Hop artiste Stack$ will release their new video Flyin High on '420': International Herb Day (April 20, 2008). Flyin High salutes the natural herb and is the first collaboration between Stack$ and Jah Cure; the video was conceptualised by Stack$ and directed by acclaimed music video producer Jay Will. The Flyin High video features cameos from Wayne Marshall and choreography by Kamieca Reid.

Stack$ may not be familiar to many Jamaicans but has a burgeoning rap career in the United States and is the CEO of SoBe Entertainment. The collaboration between Stack$ and Jah Cure comes out of the newly formed alliance between SoBe Entertainment and the Danger Zone Music Group headed by Della Danger.

The video for Flyin High is of the highest quality and features some of the best work Jay Will has done so far. The Flyin High video showcases some of Jamaica's best vistas and seeks to bring Jah Cure's and Stack$' fans together on a musical journey.

Jah Cure takes Stack$ on a tour of Jamaica showing him all the sights and sounds of the island. During this tour Jah Cure exposes Stack$ to the finer herbs of Jamaica and takes him to the famed Orange Hill where Stack$ gets to sample some of the highest grades. Throughout the video there are several eye catching shots including one in a herb field and another at a castle in Negril, all combined to 'blem' a top class video of an international standard.

"The video is really cool, we get a chance to leave Kingston and shoot in some new areas of the island such as Hanover and Westmoreland. We got really nice shots with Kamieca Reid and her dancers who were superb in their gold and black outfits. Stack$' energy is really good and Jah Cure is his usual best. There are several notable scenes in the video but I especially like the performance on the bridge which allowed me to do some acute camera angles giving the scene a unique look" – Jay Will, Director.

Jay Will is also looking forward to further working with Danger Zone and SoBe Entertainment and will shortly be directing Jah Cure's next video for the song Journey produced by Danger Zone on the Journey's Riddim.

The video for Flyin High will be released to the world on Sunday April 20, 2008, popularly known as '420' in the United States.

-ends-